11am – 4pm
11am – 4pm
8 Oct – 15 Nov
If you haven’t been into our shop for a while, you might notice some changes! We’ve added a stage, we’ve rearranged shelves and furniture, and we’ve added some colour. Here’s how we’re looking now.
What a way to christen our new stage! Here’s what’s on offer!
Gallie is a Melbourne based Irish singer/songwriter and artist. To get an idea of what we’re in for, have a look at his website.
(Tickets are limited, so book in quickly!)
After creating the above image, Metamorphosis, recently, I’ve been thinking about the fairy tale as an allegory for puberty and adolescence. The image itself is about the sense of change as one enters that new stage in life. As a child (on the left) we have a solid idea of who we are in the world, but entering adolescence (the figure on the right), our sense of self can be all but annihilated. For a long time it’s a dance between the two. As we pull away from childhood, we have to rebuild ourselves, trying on all sorts of skins; cobbling together influences and ideas until we remake ourselves as adults. We are bone and feather, leaf and twig; a fragile tangle of scavenged treasures.
Fairy tales perfectly explore this mystifying time: Fingers are pricked and blood is drawn; a drawn-out sleep transforms child into adult (and in some cases mother) before she knows what has happened; a path is travelled and foes battled before the previously young and hapless hero or heroine emerges victorious (and usually married).
Adam and Eve
I’d never really thought about the Adam and Eve story in the context of fairy tales before, and when it came to me in that half sleep state last night, I thought myself a momentary genius. Of course this morning I really wasn’t surprised to find that it has been explored widely as myth and allegory. I still think it would make a great fairy tale: Once upon a time, there was a King who planted a beautiful walled garden. He found two orphans, a boy and a girl, and invited them to live in this lush paradise, under one strict condition… See, it’s perfect. There’s the fantastical garden, a command to be disobeyed, temptation, consequence… And of course, the broken barrier between a childhood innocence and adulthood. Adam and Eve are effectively cosseted children, until the forbidden apple awakens their sexual natures and they head out to find their own way in the world.
Speaking of dangerous apples! Snow White is the perfect allegory for puberty and the breaking away from the influence of one’s parent. The mother is jealous of her daughter’s youth and beauty, and Snow White must find her way to autonomy. I’m not sure shacking up with seven men is the path I’d recommend, but we all need to find our own way I guess…
Snow White suffers several deaths and rebirths, growing a little wiser each time one would hope, finally emerging as a free adult. Well, sort of. She still marries Prince Charming. And speaking of Prince Charming…
“Franz Jüttner Schneewittchen 7” by Franz Jüttner
As above: escape from the overbearing (step)mother, guided path to self discovery and freedom from parental rule, handsome prince, blah blah blah. (Cinderella is not one of my favourite stories).
The Sleeping Beauty
Bruno Bettelheim says it best in The Uses of Enchantment: The Meaning and Importance of Fairy Tales: “The central theme of all versions of ‘The Sleeping Beauty’ is that, despite all attempts on the part of parents to prevent their child’s sexual awakening, it will take place nonetheless.” (P. 230, 1976 edition)
Yep. Sigh. Sleeping Beauty is cursed to prick her finger (blood=menstruation) and fall into the a deep slumber, and despite all her parents best efforts to keep her from this fate, it is inevitable. Bettelheim also talks about the long sleep in relationship to the fog and flurry of adolescence: “During the months before the first menstruation, and often also for some time immediately following it, girls are passive, seem sleepy, and withdraw into themselves… ‘The Sleeping Beauty’ emphasizes the long, quiet concentration on oneself that is needed.” (P. 225)
Sleeping Beauty enters her adolescent sleep as a child, and emerges as a marriageable women. In Giambattista Basile’s version, Sun, Moon and Talia, poor Beauty, or Talia, wakes up a mother of twins(!) after the prince charmingly impregnates her:
“…she seemed so incredibly lovely to him that he could not help desiring her, and he began to grow hot with lust. He gathered her in his arms and carried her to a bed, where he made love to her. Leaving her on the bed, he left the palace and returned to his own city, where pressing business for a long time made him think no more about the incident.”
Well. There’s a lot I have to say about the infuriating passivity of women in fairy tales (and the accepted male entitlement), and Sleeping Beauty, I think, is a fine bloody example. But that’s for another blog post.
Little Red Riding Hood
In this tale Little Red literally follows a path through her adolescence. She begins in her mother’s home, and leaves to travel through the wild forest, where she encounters the threat of the wolf (ahem, slick-haired, leather jacket wearing, no-gooder) who attempts to lead her from the accepted path. Depending on which version you read, she is eaten by the wolf after getting into her Grandmother’s bed with him (well, really) or escapes the gastronomic fate of her grandmother. Either way, she is rescued by the hunter (swarthy, check-shirt wearing hipster good guy), and I guess learns a lesson and emerges wiser from her wayward teenage ways.
I could recount similar examples all day, and get into more complicated stories and readings of them, but looking at these well known tales has edged me towards a little more respect for them. It still bugs me that our most famous fairy tales are those with passive girls who become passive women married to handsome princes (it really does make me grumpy), but at least there’s something more to find in them than ‘be kind and good and wait your turn, and you’ll find eternal happiness and fulfilment in marriage to someone rich and handsome’. Reading them as an metaphor for change rather than instructions for living gives me much less of a stomach ache.
Fairy tales are rich in allegory, for that is really what they are, and there are millions of words written on their deeper meanings. Here are a few you might enjoy. What are your favourite books about fairy tales?
You are invited to the launch
of Buried Moon,
a photographic art exhibition by Castlemaine’s Lorena Carrington!
… a photographic art exhibition exploring the lost brave girls
of fairy tales – the ones who were never rescued, and who never
expected to be.
LAUNCH DATE: Saturday, 10 October at 5pm.
Exhibition dates: 8 Oct – 15 Nov 2015.
This year has brought another exceptional exhibition to our art space. Helen and Des Bunyon, of the wonderful customs house gallery really know their stuff when it comes to children’s picture book illustration! Works included in this year’s exhibition are:
Kerry Argent, from Itsy Bitsy Teenie Weenie Yellow Polka-dot Bikini, The Fabulous Finola Fox, and India the Showstopper. There is also a show of Kerry’s work at their Hawkesdale gallery running simultaneously.
Freya Blackwood, from Maudie and Bear.
Graham Byrne, from Big Red Kangaroo and Emu.
Kim Gamble, from Bunyips Don’t, There once was a boy called Tashi, Let’s Escape, Minton Goes Sailing, and Tashi and the Golem.
Gus Gordon, from Herman and Rosie.
Rolf Heimann, from For Eagle Eyes Again.
Alison Lester, from Are We There Yet?, Magic Beach, Kissed by the Moon, My Farm, and Running with the Horses.
Eric Lobbecke, from Purple Snow.
Anna Pignataro, from Princess and Fairy Friends Forever.
Craig Smith, from My Grandpa and Me, and Billy the Punk.
Tai Snaith, from The Family Hour in Australia, and Sticks & Stones Animal Homes.
Shaun Tan, from The Rules of Summer, Tales from Outer Suburbia, The Red Tree and The Rabbits.
Julie Vivas, from Puffling.
Ritva Voutila, from The Selfish Giant and The Stone Lion.
Anna Walker, from I Love My Baby Brother, I Love My ABC, I Love to Sing, and Mr Huff.
This exhibition runs until the 5 October 2015.